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How Much Money Did The Blair Witch Project Make

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1999 horror film

The Blair Witch Project
Theatrical poster for The Blair Witch Project

Theatrical release poster
Directed by
  • Daniel Myrick
  • Eduardo Sánchez
Written past
  • Daniel Myrick
  • Eduardo Sánchez
Produced past
  • Gregg Hale
  • Robin Cowie
Starring
  • Heather Donahue
  • Michael Williams
  • Joshua Leonard
Cinematography Neal Fredericks
Edited past
  • Daniel Myrick
  • Eduardo Sánchez
Music by Tony Cora

Production
visitor

Haxan Films
Distributed by Artisan Amusement

Release dates
  • January 23, 1999 (1999-01-23) (Sundance)
  • July xiv, 1999 (1999-07-14) (U.s.a.)

Running fourth dimension

 81 minutes[1]
Land United States
Language English language
Upkeep $200,000–500,000[2]
Box office $248.half-dozen million[3]

The Blair Witch Project is a 1999 American supernatural horror film written, directed and edited by Daniel Myrick and Eduardo Sánchez. It is a fictional story of three educatee filmmakers—Heather Donahue, Michael C. Williams, and Joshua Leonard—who hike into the Black Hills near Burkittsville, Maryland, in 1994 to flick a documentary about a local legend known every bit the Blair Witch. The three disappear, but their equipment and footage are discovered a year later. The purportedly "recovered footage" is the film the viewer sees.

A sleeper hit, The Blair Witch Project grossed about $250 million worldwide, making it one of the nearly successful contained films of all time, as well as the 41st most profitable horror film. The moving-picture show launched a media franchise, which includes two sequels (Book of Shadows and Blair Witch), novels, comic books, and video games. The film is credited with reviving the found-footage technique which was afterwards used by similarly successful horror films such every bit Paranormal Activity and Cloverfield.

Myrick and Sánchez conceived of a fictional legend of the Blair Witch in 1993. They adult a 35-page screenplay with the dialogue to exist improvised. A casting telephone call advertizement in Backstage magazine was prepared by the directors; Donahue, Williams and Leonard were cast. The movie entered production in October 1997, with the principal photography taking place in Maryland for viii days. Nearly xx hours of footage was shot, which was edited down to 82 minutes. Shot on an original budget of $35,000–60,000, the motion-picture show had a final cost of $200,000–750,000 afterward post-production edits.

When The Blair Witch Project premiered at the Sundance Film Festival at midnight on Jan 23, 1999, its promotional marketing entrada listed the actors as either "missing" or "deceased". Attributable to its successful run at Sundance, Artisan Entertainment bought the film's distribution rights for $1.1 million. The flick had a limited release on July 14, 1999, earlier expanding to a wider release starting July 30. While critical reception was by and large positive, audience reception was split.

Plot [edit]

The film purports to be footage found in the discarded cameras of three young filmmakers who had gone missing.

In October 1994, motion-picture show students Heather, Mike, and Josh set out to produce a documentary about the fabled Blair Witch. They travel to Burkittsville, Maryland, and interview residents about the legend. Locals tell them of Rustin Parr, a hermit who lived in the woods and kidnapped seven children in the 1940s; he supposedly killed them all in his basement, murdering them in pairs while having one stand in a corner. The students explore the woods in due north Burkittsville to research the legend. They meet 2 fishermen, one of whom warns them that the forest are haunted. He tells them of a immature daughter named Robin Weaver, who went missing in 1888; when she returned 3 days afterwards, she talked most "an old woman whose feet never touched the ground." The students hike to Bury Stone, where five men were found ritualistically murdered in the 19th century; their bodies later on disappeared.

They army camp for the night, and the adjacent 24-hour interval, find an old cemetery with seven minor cairns, ane of which Josh accidentally knocks over. That dark, they hear the sound of twigs snapping. The post-obit day, they effort to hike dorsum to the motorcar merely cannot find information technology before dark and make camp. They once more hear twigs snapping. In the morning, they discover that iii cairns accept been congenital around their tent. Heather learns her map is missing. Mike reveals he kicked the map into a creek out of frustration, which provokes a fight between the three as they realize they are lost. They determine to head south, using Mike's compass, and discover stick figures suspended from copse. They again hear strange sounds that dark, including children laughing. Later an unknown force shakes the tent, they hibernate in the forest until dawn.

Upon returning to their tent, they detect that their possessions take been rifled through, and Josh'southward equipment is covered with slime. They come up beyond a river identical to one they crossed earlier and realize they take walked in a circle. Josh disappears the next morning, and Heather and Mike try in vain to discover him. That nighttime, they hear Josh's agonized screams only are unable to locate him. They theorize that his screams are a fabrication by the witch to draw them out of their tent.

The side by side day, Heather discovers a bundle of sticks tied with fabric from Josh's shirt. Upon opening the bundle, she besides finds a blood-soaked chip of his shirt containing teeth, hair, a finger, and a large piece of a tongue. Although distraught, she does non tell Mike. That night, she records herself apologizing to her family unit and Mike's and Josh'southward families, taking responsibility for their predicament.

They again hear Josh's agonized cries and follow them to an abased house containing demonic symbols and children's bloody hand-prints on the walls. Trying to observe Josh, they become to the basement, where an unseen strength attacks Mike, causing him to driblet his camera. Heather enters the basement screaming, and her camera captures Mike standing in a corner. The unseen force attacks Heather, causing her to driblet her photographic camera, and the footage ends.

Production [edit]

Development [edit]

Development of The Blair Witch Project began in 1993.[4] While film students at the Academy of Central Florida, Daniel Myrick and Eduardo Sánchez were inspired to brand the film after realizing that they plant documentaries on paranormal phenomena scarier than traditional horror films. The two decided to create a film that combined the styles of both. In order to produce the project, they, along with Gregg Hale, Robin Cowie and Michael Monello, started Haxan Films. The namesake for the production company is Benjamin Christensen'due south 1922 silent documentary horror film Häxan (English: Witchcraft Through the Ages).[5]

Myrick and Sánchez developed a 35-page screenplay for their fictional moving picture, intending dialogue to exist improvised. The directors placed a casting call advert in Backstage in June 1996, asking for actors with strong improvisational abilities.[6] [7] The informal improvisational audition process narrowed the pool of two,000 actors.[eight] [9]

According to Heather Donahue, auditions for the film were held at Musical Theater Works in New York Metropolis. The ad said a "completely improvised feature motion picture" would be shot in a "wooded location". Donahue said that during the audition, Myrick and Sánchez posed her the question: "You've served seven years of a nine-yr sentence. Why should nosotros let you out on parole?" to which she had to respond.[six] Joshua Leonard said he was cast due to his cognition of how to run a camera, as no omniscient photographic camera was used to motion picture the scenes.[10]

Pre-production began on October five, 1997 and Michael Monello became a co-producer.[eleven] [seven] In developing the mythology behind the film, the creators used many inspirations. For instance, several character names are near-anagrams: Elly Kedward (The Blair Witch) is Edward Kelley, a 16th-century mystic, and Rustin Parr, the fictional 1940s child-murderer, began as an anagram for Rasputin.[12] The Blair Witch is said to exist, according to legend, the ghost of Elly Kedward, a woman banished from the Blair Township (latter-twenty-four hour period Burkittsville) for witchcraft in 1785.

The directors incorporated that part of the fable, along with allusions to the Salem witch trials and Arthur Miller's 1953 play The Crucible, to play on the themes of injustice washed to those who were classified every bit witches.[thirteen]

The directors also cited influences such as the television set serial In Search of..., and horror documentary films Chariots of the Gods and The Legend of Boggy Creek.[8] [9] Other influences included commercially successful horror films such as The Shining, Conflicting, The Omen, and Jaws—the latter film being his major influence, every bit the flick hides the witch from the viewer for its entirety, increasing the suspense of the unknown.[4] [8]

A photograph of a smiling middle-aged Caucasian man with thick beard and combed hair, wearing glasses and a dark blue suit and shirt.

In talks with investors, the directors presented an eight-minute documentary, along with newspapers and news footage.[xiv] The documentary was aired on the television series Split Screen hosted by John Pierson on Baronial vi, 1998.[viii] [7]

Filming [edit]

Master photography began on Oct 23, 1997 in Maryland and lasted viii days, overseen by cinematographer Neal Fredericks.[5] [15] The movie was shot largely with a Hi8 camcorder.[16] Most of the motion picture was shot in Seneca Creek Land Park in Montgomery County, Maryland. A few scenes were filmed in the historic town of Burkittsville. Some of the townspeople interviewed in the film were not actors, and some were planted actors, unknown to the main cast.[xv] Donahue had never operated a camera earlier and spent two days in a "crash grade". Donahue said she modeled her character afterward a director she had once worked with, noting her graphic symbol's "self-assuredness" when everything went as planned, and confusion during crisis.[17]

During filming, the actors were equipped with CP-16 film and Hi8 video cameras provided by cinematographer Neal Fredericks. They were given clues as to their adjacent location through letters subconscious within 35 mm motion picture cans left in milk crates they institute with Global Positioning Satellite systems. They were given individual instructions to use to assist improvise the action of the solar day.[6] [xv] [18] Teeth were obtained from a Maryland dentist for use as human remains in the film.[6] Influenced by producer Gregg Hale's memories of his military grooming, in which "enemy soldiers" would hunt a trainee through wild terrain for three days, the directors moved the characters a long way during the day, harassing them by night, and depriving them of food.[fourteen]

Instead of using fictional names, all three actors used their real names in the moving picture, something Donahue has regretted doing. She revealed in 2014 that she had trouble finding new roles because of it.[19]

According to the filmmakers' commentary, the unseen figure that Donahue is shouting about equally she is running abroad from the tent is the flick's art managing director Ricardo Moreno, who was wearing white long-johns, white stockings, and white pantyhose pulled over his caput.[20] [21] It was initially intended for the figure to be revealed on camera equally the Blair Witch herself, but the cameraman forgot to pan to the left of Donahue to capture footage of Moreno. The final scenes were filmed at the historic Griggs Firm, a 200-year-one-time edifice located in the Patapsco Valley State Park near Granite, Maryland.[22] Filming concluded on Oct 31, Halloween.[23]

In an interview with Entertainment Weekly, Sánchez revealed that when principal photography first wrapped, approximately $20,000 to $25,000 had been spent.[18] Richard Corliss of Time mag reported a $35,000 estimated upkeep.[24] By September 2016, The Blair Witch Project has been officially approaching at $60,000.[27]

Post-production [edit]

After filming, the xx hours of raw footage had to exist cutting downwardly to two and a half hours; the editing procedure took more than eight months. The directors screened the offset cut in pocket-sized motion picture festivals in order to go feedback and make changes that would ensure that it appealed to as large an audience as possible.[4] Originally, it was hoped that the film would make it on to cable idiot box, and the directors did not anticipate a wide release.[4] The last version was submitted to Sundance Film Festival.[28]

After condign a surprise hitting at Sundance, during its midnight premiere on January 25, 1999, Artisan Entertainment bought the distribution rights for $i.i meg.[4] Prior to that, Artisan had wanted to change the film's original ending, as the test audience were puzzled, although scared. (Donahue screams in terror and finds Michael C. Williams facing a corner in the basement before she is knocked to the basis.)[29] The directors and Williams traveled back to Maryland and shot four alternate endings,[30] one of which employed encarmine elements. Ultimately, they decided to keep the original. Myrick said, "What makes us fearful is something that's out of the ordinary, unexplained. The first catastrophe kept the audition off balance; it challenged our real world conventions and that'southward what actually made it scary."[29]

Post-production fees increased the toll of the flick to several hundred thou dollars before its Sundance debut and, after marketing costs, the total price of the film has been estimated equally ranging between $500,000 and $750,000.[xviii] [31]

Marketing [edit]

A black and white missing person poster, with the text "MISSING" in upper-case bold typeface, placed atop the images of three young Caucasian individuals. The photo on the left shows a woman in her early 90s; the middle shows a bearded man in his mid-20s, wearing a cap which obscured half of his face from sunlight; and the right shows a man also in his mid-20s, wearing an army hat. Below each of the photos contain their personal information such as age, height, and weight. The bottom of the poster contains a message appealing to contact authorities, followed by an emergency hotline.

A missing person affiche showing Heather Donahue (left), Joshua Leonard (center), and Michael C. Williams (right) every bit part of the film'due south marketing entrada tactic to portray its events as real

The Blair Witch Project is idea to be the offset widely released pic marketed primarily by the Internet. Kevin Foxe became executive producer in May 1998 and brought in Clein & Walker, a public relations firm. The pic's official website launched in June 1998, featuring faux law reports also as "newsreel-style" interviews, and fielding questions nearly the "missing" students.[vii] These augmented the pic'southward found footage device to spark debates beyond the Internet over whether the flick was a real-life documentary or a work of fiction.[32] [33] Some of the footage was screened during the Florida Film Festival in June.[7] During screenings, the filmmakers made advertising efforts to promulgate the events in the movie as factual, including the distribution of flyers at festivals such every bit Sundance, asking viewers to come forward with whatsoever information about the "missing" students.[34] [35] The campaign tactic was that viewers were being told, through missing persons posters, that the characters were missing while researching in the forest for the mythical Blair Witch.[36] The IMDb page also listed the actors as "missing, presumed dead" in the first year of the film'due south availability.[37] The film's website contains materials of actors posing as police and investigators giving testimony virtually their casework, and shared babyhood photos of the actors to add a sense of realism.[38] Past Baronial 1999, the website had received 160 one thousand thousand hits.[31]

After the Sundance screening, Artisan caused the picture and a distribution strategy was created and implemented by Steven Rothenberg.[39] [40] The film's trailer was leaked on the website Ain't Information technology Cool News on Apr 2, 1999 and the film was screened at 40 colleges in the United States to build give-and-take-of-mouth.[7] A third, xl-2nd, trailer was shown before Star Wars: Episode I – The Phantom Menace in June.[vii]

USA Today reported that The Blair Witch Project was the get-go flick to go viral despite having been produced earlier many of the technologies that facilitate such phenomena existed.[41]

Fictional legend [edit]

The backstory for the film is a legend made by Sánchez and Myrick which is detailed in the Expletive of the Blair Witch, a mockumentary broadcast on the SciFi Channel on July 12, 1999.[42] [seven] Sánchez and Myrick also maintain a website which adds further details to the legend.[43]

The fable describes the killings and disappearances of some of the residents of Blair, Maryland (a fictitious town on the site of Burkittsville, Maryland) from the 18th to 20th centuries. Residents blamed these occurrences on the ghost of Elly Kedward, a Blair resident accused of practicing witchcraft in 1785 and sentenced to death by exposure. The Expletive of the Blair Witch presents the legend as real, complete with manufactured newspaper manufactures, newsreels, television set news reports, and staged interviews.[42]

Release [edit]

The Blair Witch Projection premiered as a Midnight Screening on Sabbatum, January 23, 1999 at the Sundance Motion-picture show Festival, and opened Midweek, July xiv, 1999 at the Angelika Motion-picture show Center in New York City before expanding to 25 cities at the weekend. It expanded nationwide on July 30.[vii]

Boob tube broadcast [edit]

For its bones cable premiere in October 2001 on FX, two deleted scenes were reinserted during the end credits of the picture show. Neither deleted scene has always been officially released.[44]

Home media [edit]

The Blair Witch Projection was released on VHS and DVD on October 22, 1999[45] [46] by Artisan, presented in a one.33:1 windowboxed aspect ratio and Dolby Digital 2.0 audio. Special features include the documentary Curse of the Blair Witch, a five-minute Newly Discovered Footage, audio commentary, production notes, and cast and crew biographies. The audio commentary presents directors Daniel Myrick, Eduardo Sánchez, and producers Rob Cowie, Mike Monello and Gregg Unhurt, in which they discuss the picture'southward product. The Expletive of the Blair Witch feature provides an in-depth look inside the creation of the film.[47] [48] More than $15 million was spent to market the home video release of the film.[49]

The moving-picture show's Blu-ray version was released on October five, 2010 by Lionsgate.[50] Best Purchase and Lionsgate had an exclusive release of the Blu-ray made available on August 29, 2010.[51]

Reception [edit]

Box office [edit]

The picture show earned $1.5 million from 27 theaters in its opening weekend, with a per-screen boilerplate of $56,002.[3] The film expanded nationwide in its 3rd weekend and grossed $29.ii meg from 1,101 locations, placing at number two in the United States box part, surpassing the science fiction horror film Deep Bluish Sea but behind Runaway Bride.[52] The film expanded further to two,142 theaters and again finished in 2nd identify with a gross of $24.3 million in its quaternary weekend, behind some other horror film The Sixth Sense.[53] The film dropped out of the top-x list in its tenth weekend and past the cease of its theatrical run, the pic grossed $140.five million in the Usa and Canada and grossed $108.1 million in other territories, for a worldwide gross of $248.6 million (over 4,000 times its original budget).[3] [29] The Blair Witch Project was the tenth highest-grossing flick in the US in 1999,[54] and has earned the reputation of becoming a sleeper hit.[55] In Italy it set an opening weekend record for a US film.[56]

Because the filming was done by the actors using hand-held cameras, much of the footage is shaky, especially the concluding sequence in which a character is running downwardly a set of stairs with the photographic camera. Some audience members experienced motility sickness and even vomited every bit a result.[57]

Critical response [edit]

"At a time when digital techniques can show us almost anything, The Blair Witch Project is a reminder that what really scares the states is the stuff nosotros tin can't run across. The noise in the dark is most always scarier than what makes the noise in the dark."

—Roger Ebert, writing for the Chicago Sunday-Times [58]

The Blair Witch Project drew positive reviews from critics.[59] The review aggregation website Rotten Tomatoes gives the film a score of 86% based on 165 reviews from critics, with an average rating of vii.70/10. The website's consensus reads: "Full of creepy campfire scares, mock-doc The Blair Witch Project keeps audiences in the dark about its titular villain, proving in one case more that imagination can exist as scary equally anything onscreen."[threescore] On Metacritic, the film received "universal acclamation" and was awarded its "Must-See" badge, with a weighted boilerplate of 81 out of 100 based on 33 reviews.[61] Audience reception to the film, though, remains divided;[62] CinemaScore gave information technology an boilerplate class of "C+" on a scale ranging from A+ to F based on audiences polled during the film'southward opening weekend.[63]

The Blair Witch Project 's found-footage technique received nigh-universal praise. Although this was non the outset film to use it, the independent motion-picture show was alleged a milestone in picture show history due to its critical and box office success.[68] Roger Ebert of the Chicago Dominicus-Times gave the film four stars, and called information technology "an extraordinarily effective horror film".[58] Peter Travers of Rolling Stone called it "a groundbreaker in fright that reinvents scary for the new millennium".[69] Todd McCarthy of Variety said, "An intensely imaginative piece of conceptual filmmaking that also delivers the goods as a dread-drenched horror movie, The Blair Witch Project puts a clever modern twist on the universal fear of the night and things that go bump in the night."[70] Lisa Schwarzbaum of Entertainment Weekly gave a grade of "B", proverb, "Every bit a horror moving-picture show, the film may not be much more a cheeky game, a novelty with the cool, blurry wait of an avant-garde artifact. But as a manifestation of multimedia synergy, it's pretty spooky."[71]

Some critics were less enthusiastic. Andrew Sarris of The New York Observer deemed it "overrated," as well as a rendition of "the ultimate triumph of the Sundance scam: Make a heartless habitation movie, get enough critics to blurb in nigh unison 'scary,' and watch the suckers flock to be fleeced".[72] A critic from The Christian Scientific discipline Monitor said that while the film'southward concept and scares were innovative, he felt it could take merely been shot "as a 30-infinitesimal short ... since its shaky camera work and fuzzy images get monotonous after a while, and at that place'southward not much room for grapheme evolution within the very express plot."[73] R. 50. Schaffer of IGN scored it 2 out of ten, and described information technology as "wearisome – really irksome", and "a Z-course, low-rent horror outing with no real scares into a 18-carat big-budget spectacle".[74]

Accolades, awards and nominations [edit]

The 20th Aureate Raspberry Awards gave Heather Donahue its Worst Extra award, and nominated producers Robin Cowie and Gregg Hale for the Worst Flick award.[75] [76] At the Stinkers Bad Moving picture Awards, the film won the Biggest Thwarting category and received three nominations: Worst Motion-picture show (Cowie and Hale), Worst Extra (Donahue), and Worst Screen Debut (Heather, Michael, Josh, the Stick People and the globe'due south longest running batteries).[77] At the 1st Gold Trailer Awards, it received a nomination for Most Original Trailer and won two categories: Best Horror/Thriller and Best Vocalization Over.[78] At the 15th Independent Spirit Awards, The Blair Witch Project won the John Cassavetes Award (for all-time beginning feature made for under $500,000).[79] [fourscore] [81]

Legacy [edit]

An assortment of other films have relied on the found-footage concept and shown influence by The Blair Witch Project.[82] [66] These include Paranormal Activity (2007), REC (2007), Cloverfield (2008),[82] The Terminal Exorcism (2010), Trollhunter (2010),[83] Chronicle (2012), Project X (2012), V/H/South (2012), End of Watch (2012),[66] [84] and The Den (2013).[83] Some critics accept besides noted that the film's basic plot premise and narrative style are strikingly like to Cannibal Holocaust (1980) and The Last Broadcast (1998).[64] [65] Although Cannibal Holocaust director Ruggero Deodato has acknowledged the similarities of The Blair Witch Project to his moving picture, he criticized the publicity that it received for existence an original production;[85] advertisements for The Blair Witch Project too promoted the idea that the footage is genuine.[4] Despite initial reports that The Concluding Broadcast creators—Stefan Avalos and Lance Weiler—had alleged that The Blair Witch Project was a consummate rip-off of their work and would sue Haxan Films for copyright infringement, they repudiated these allegations. One of the creators told IndieWire in 1999, "If somebody enjoys The Blair Witch Project there is a gamble they will enjoy our picture, and we hope they volition bank check it out."[86]

Picture critic Michael Dodd has argued that the picture show is an embodiment of horror "modernizing its ability to be extensive in expressing the fears of American order". He noted that "In an age where anyone can moving picture any they similar, horror needn't be a cinematic expression of what terrifies the cinema-goer, it can just be the medium through which terrors captured by the average American can be showcased".[87] In 2008, The Blair Witch Project was ranked by Entertainment Weekly as number 90-9 on their listing of 100 Best Films from 1983 to 2008.[88] In 2006, the Chicago Film Critics Clan ranked it as number 12 on their listing of Peak 100 Scariest Movies.[89] It was ranked number 50 on Filmcritic.com's list of 50 Best Moving-picture show Endings of All Time.[90] In 2016, it was ranked past IGN equally number 21 on their list of Pinnacle 25 Horror Movies of All Time,[91] number 16 on Cosmopolitan 's 25 Scariest Movies of All Fourth dimension,[92] and number three on The Hollywood Reporter 'south x Scariest Movies of All Time.[93] In 2013, the moving-picture show likewise made the meridian-ten listing of The Hollywood Reporter 'south highest-grossing independent films of all time, ranking number six.[94]

Director Eli Roth has cited the film equally a marketing influence to promote his 2002 horror film Cabin Fever with the Internet.[95] The Blair Witch Project was included in the book 1001 Movies You Must Run across Before You Die.[96]

After the film was released, in belatedly Nov 1999, the historic house where it was filmed was reportedly being overwhelmed past film fans who broke off chunks as souvenirs. The township ordered the firm demolished the side by side month.[22]

Media tie-ins [edit]

Books [edit]

In September 1999, D.A. Stern compiled The Blair Witch Projection: A Dossier. Building on the motion picture'south "true story" angle, the dossier consisted of fabricated law reports, pictures, interviews, and newspaper articles presenting the movie's premise as fact, besides as further elaboration on the Elly Kedward and Rustin Parr legends. (Another "dossier" was created for Blair Witch 2). Stern wrote the 2000 novel Blair Witch: The Secret Confessions of Rustin Parr. He revisited the franchise with the novel Blair Witch: Graveyard Shift, which features original characters and plot.[97]

A serial of eight young developed books, entitled The Blair Witch Files, were released by Random subsidiary Bantam from 2000 to 2001. The books center on Cade Merill, a fictional cousin of Heather Donahue, who investigates phenomena related to the Blair Witch. She tries to learn what really happened to Heather, Mike, and Josh.[98]

Comic books [edit]

In July 1999, Oni Printing released a i-shot comic promoting the moving-picture show, titled The Blair Witch Project #1. Written and illustrated by Cece Malvey, the comic was released in conjunction of the film.[99] In October 2000, coinciding with the release of Book of Shadows: Blair Witch two, Image Comics released a one-shot chosen Blair Witch: Night Testaments, drawn by Charlie Adlard.[97]

Video games [edit]

In 2000, Gathering of Developers released a trilogy of computer games based on the film, which greatly expanded on the myths first suggested in the film. The graphics engine and characters were all derived from the producer's before game Nocturne.[100]

The first volume, Rustin Parr, received the near praise, ranging from moderate to positive, with critics commending its storyline, graphics and atmosphere; some reviewers even claimed that the game was scarier than the movie.[101] The following volumes, The Legend of Coffin Rock and The Elly Kedward Tale, were less well received, with PC Gamer saying that Volume 2'southward "only saving grace was its cheap price",[102] and calling Book iii "amazingly mediocre".[103]

At E3 2019, Bloober Team introduced Blair Witch, a first-person survival horror game based on the Blair Witch franchise.[104] The game was released on August 30, 2019.

Documentary [edit]

The Woods Movie (2015) is a feature-length documentary exploring the production of The Blair Witch Project.[105] For this documentary, director Russ Gomm interviewed the original picture's producer, Gregg Hale, and directors Eduardo Sánchez and Daniel Myrick.[106]

Parodies [edit]

The Blair Witch Project inspired a number of parody films, including Da Hip Hop Witch, The Bogus Witch Project, The Tony Blair Witch Project (all in 2000), and The Blair Thumb (2001),[107] besides as the pornographic films The Erotic Witch Projection [107] and The Bare Wench Project.[108] The motion picture also inspired the Halloween television special The Scooby-Doo Project, which aired during a Scooby-Doo, Where Are Yous! marathon on Drawing Network on October 31, 1999. 2013's 6-5=2 was also inspired by this movie.[108] [109] Episode 7 of season 2 of The Trailer Park Boys is titled The Bare Pimp Project and parodies 1 of the motion-picture show's most iconic scenes.

Sequels [edit]

A sequel entitled Book of Shadows was released on October 27, 2000; it was poorly received by about critics.[110] [111] A 3rd installment announced that same year did not materialize.[112]

On July 22, 2016, a surprise trailer for Blair Witch was revealed at the San Diego Comic-Con.[113] The film was originally marketed as The Woods then as to be an exclusive surprise proclamation for those in omnipresence at the convention. The picture show, distributed by Lionsgate, was slated for a September 16 release and stars James Allen McCune as the brother of the original moving picture'southward Heather Donahue.[114] [115] Directed past Adam Wingard, Blair Witch is a straight sequel to The Blair Witch Project, and does not acknowledge the events of Book of Shadows: Blair Witch 2. However, Wingard has said that although his version does not reference any of the events that transpired in Book of Shadows, the film does not necessarily discredit the existence of Volume of Shadows: Blair Witch 2.[116] In September 2016, screenwriter Simon Barrett explained that in writing the new motion picture, he merely considered material that was produced with the involvement of the original film's creative team (directors Daniel Myrick and Eduardo Sánchez, producer Gregg Hale, and production designer Ben Rock) to be "catechism", and that he did not accept any material produced without their directly involvement—such every bit the first sequel Book of Shadows or The Blair Witch Files, a serial of young developed novels—into consideration when writing the new sequel.[116]

On April eighteen, 2022, it was announced a new "installment' of The Blair Witch Project was beingness adult at Lionsgate.[117]

Television [edit]

In October 2017, co-manager Eduardo Sánchez revealed that he and the rest of the motion-picture show's creative team are developing a Blair Witch boob tube series, though he clarified that whatever decisions would ultimately be upwardly to Lionsgate now which owns the rights to information technology.[118] [119] In February 2018, it was announced that the series will exist released on the studio'due south new subsidiary, Studio L, which specializes in digital releases.[120]

See as well [edit]

  • Listing of ghost films

References [edit]

  1. ^ "The Blair Witch Projection". British Board of Film Classification. August four, 1999. Archived from the original on Feb 11, 2017. Retrieved July 28, 2016.
  2. ^ Stephen Galloway (January xviii, 2020). "What Is the Virtually Profitable Movie Ever?". The Hollywood Reporter . Retrieved April 26, 2020.
  3. ^ a b c d "The Blair Witch Project". Box Office Mojo. Archived from the original on April 24, 2013. Retrieved April 4, 2013.
  4. ^ a b c d eastward f Klein, Joshua (July 22, 1999). "Interview – The Blair Witch Project". The A.V. Club. Archived from the original on January 21, 2015. Retrieved Jan 26, 2015.
  5. ^ a b Kaufman, Anthony (July 14, 1999). "Season of the Witch". The Village Voice. Archived from the original on March 3, 2007. Retrieved September 26, 2006.
  6. ^ a b c d Staff (Baronial 14, 1999). "Heather Donohue – Blair Witch Project". KAOS 2000 Magazine. Archived from the original on March 30, 2010. Retrieved July xxx, 2006.
  7. ^ a b c d e f g h i Lyons, Charles (September 8, 1999). "'Blair' timeline". Daily Variety. p. A2.
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External links [edit]

  • Official website
  • The Blair Witch Project at IMDb
  • The Blair Witch Project at AllMovie

Source: https://en.wikipedia.org/wiki/The_Blair_Witch_Project#:~:text=A%20sleeper%20hit%2C%20The%20Blair,41st%20most%20profitable%20horror%20film.

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